Richter on... Rejection

Rejection is a natural part of the writing caper. Rejection is a writers bread and butter. Regardless of whether you are Stephen King, or John Smith, you are going to get your work rejected... the second you send a piece of work out for possible publication, chances are it's going to be a 50%/50% toss-up on whether it gets accepted or not. Okay. Maybe, more like a 5%/95% shitstorm. Rejection rates are pretty high, let's face it, if you look at the rejection rates of most publications (Duotrope is a good source for this info), you are detinately talking a good 80 - 95% rejection rate. The odds of getting your work published really depend on the market you are trying to target. If I were a math geek I could probably come up with some sort of fancy-pants formulae for getting published, but sadly (or fortunately), I'm no maths geek. Come on, what did you expect?

Things I ask myself when deciding on what market to target
- Why am I writing this story (my motivation)?
- What am I writing (genre, content)?
- Who wants to read what I'm writing (audience)?
- Who do I want reading what I'm writing (the right audience)?
- How much money do I want to make (non-paying, paying)?

For beginners, I'd definitely suggest trying to target your local non-paying markets. Make sure you polish your work before sending it to a non-paying market - just because they aren't paying in cold, hard cash doesn't mean they will accept any shit that you scoop out of your collective conscious and dump onto a piece of paper. Feedback with any rejection is typically non-existent, so don't rely on proof-readers or editors at magazines to give you any constructive criticism... these guys are flat-out trying to get through the hefty pile of submissions. Write a quality story, and try your local non-paying markets first. You will generally get a higher strike rate and quicker response than sending your work to a paying market. Don’t expect to be able to sit in your lawn chair at home and wait for the cheques to roll in like Stephen King… even he had to start somewhere.

If you think your work is genuine quality that is worthy of publication in a paying market, then by all means, go for it! Just don't lose faith after possibly waiting for 90+ days for some sort of response...

Personally, I can't say that rejection bothers me a great deal. Sure, you slave your guts out on a story only to have someone tell you they aren't interested, usually without as much an explanation, or some feedback on how your could have improved the story. That's writing. You get over the arrow to the heart pretty quickly, just yank it out and use it to fuel the fire of your passion. So it wasn't for Market A? Who cares? To mangle an old proverb, “there are plenty of markets in the sea”. Hmmm, is it even a proverb? Anyway, there has to be a market out there for your work, you just have to find it. Don’t let it bother you. Load the bullet, spin the chamber, snap it shut and fire off another round.

You have to hit something eventually!

'One Bullet' being chambered in November

More news from the fiction front. One of my micro-fiction stories, 'One Bullet' is scheduled to appear on Flashshot on (or around) November 2nd. I know that November is quite a long way off, but Flashshot appears to a very popular avenue for micro-fiction authors... hence the November date.

For anyone interested, "FLASHSHOT is a daily dose of genre (Science Fiction, Fantasy, Horror, Mystery and Surreal) flash fiction of 100 words or less, sent to your email box every day."

'Supreme Hunter' and 'The Cloud' set for Twisted Tongue

Great news! Two of my stories, 'Supreme Hunter' and 'The Cloud' have been accepted for publication in the August edition (#7) of Twisted Tongue. Twisted Tongue is a UK based magazine that endeavours to publish "original, well-written stories with a twist, whether it is a twist in the tale or a twisted tale".

Authors write about what they know, and truth be told, ‘Supreme Hunter’ was a short story that was inspired by numerous liquor-filled lunch hours spent playing an arcade game called Extreme Hunter at the local pub. I’m sure you are probably thinking, “How is a story about a bunch of drunk guys playing an arcade game even worth publishing?”… just wait for the twist!

‘The Cloud’ also appears in the August edition of Twisted Tongue, and falls into the category of micro-fiction – 100 words or less. I’ll dispense with any sort of plot synopsis for ‘The Cloud’, although once again, watch out for the twist. I would definitely suggest that everyone have a go at writing micro-fiction, it’s certainly not difficult, nor is it as easy as it sounds!

On a related note, I’m running out of stories to submit for publishing. I guess that I should really try and focus on writing some more stories. Damn day job!

'Ringtone' - Ripples Magazine #9

One of the first pieces of fiction that I wrote in a serious capacity was a quirky short story going by the title of 'Ringtone'. The story was ultimately a bit of tongue-in-cheek social commentary about our reliance on technology, Marshall’s theory of supply and demand, mobile phones, and the age old question "what is a person willing to endure in order to survive?"

With that little spiel out of the way, I'm proud to announce that 'Ringtone' can now be read in the July 2007 issue (#9) of Ripples Magazine. Thanks to Sam Cousins for publishing the story!

The story may be a little rough around the edges, but it will definitely leave you thinking!

Brumm brumm broom broom brumm...

"Some are born to darkness...'

"...others simply hide in the light."

I'm typically the sort of guy who likes to keep what could only be described as a 'low profile', but I figure that if I plan on persuing my interest in writing fiction, it seems like a necessary evil to reveal myself.

My name is Jamie Richter, and I'm a Queensland based writer of slipstream, technology-themed horror, and dark speculative fiction. I have never really modelled my style of writing after any particular authors, or cite any authors as my inspiration for writing; I just enjoy the process of scooping ideas out of my head and dumping them onto the paper. Excuse the colourful imagery. Hell, I don't even claim to be that great of a writer – you can probably surmise this from what you’ve read on my blog so far.

Prior to trying my hand at writing short fiction, I spent a couple of years writing for film and television... I came close to a couple of breakthroughs with my screenplays, but alas, they didn't eventuate. My screenplay 'Unorganised Crime' finished in the top 50 of Project Greenlight Australia, which was an Australian spin-off of a reality US TV series devised by Matt Damon and Ben Affleck - the winner walked away with a cool $1 million to film and direct their winning screenplay. Top 50 out of approximately 2000+ entries wasn't too shabby - so close!

I have always been an extremely creative person, whether this outlet came in the form of drawing, writing short stories and screenplays, or developing modifications for popular computer games like Soldier of Fortune 2 and Battlefield 2. When I have an idea stuck in my head, I have to shake it loose; otherwise it will drive me mad. I don't care what the format is... whether the idea is good or bad... I just have to get it out my head. I find ideas to be like one of those Scarab beetles, if left unchecked, the bastards will just burrow into your brain and slowly tear you apart.

Anyway, enough of the stream-of-consciousness ramble. The main purpose of this blog is to help me shake-off my mind-numbing and creatively-devoid day job, and give me the additional motivation to push forward and write more interesting short fiction. I don't care about being famous, I don't even really care about the money - it’s all about having some fun and getting my crazy ideas on paper. Hopefully this site will help me document my journey... wherever it takes me.